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Posts Tagged "composition"

I grew up in a darkroom. At least photographically.

The old man had to jump a Canon A-1 (as always occurs to me what an old bag, I am even now: the A-1 fell on my 1980 in the hands). In school I had an art teacher who was incredibly well the basics and teach tricks of photography. With him we were sitting in the photo lab, wrapped Ilford from FP-4 and Agfa Pan 400 film from a big roll and printed the photo cans themselves exposed film did not go to the lab: Prepare developers await the development time and always set to the rhythm tip, then fixer pure, dry, finally - the dark room full program, including the different prints on paper with different gradations.

The love of black and white photography has continued until today. For some time I photograph and digitally in monochrome. Thanks to the RAW mode, I can get the color version still, if I feel like it.

Why I like SW Sun? Now draw these pictures to look at the essential, to graphical elements on contrasts. The content is dominated, not a surfeit of colors. The World in Monochrome is not just a discolored - it opens up new possibilities, even for images that would otherwise not be considered because they were too colorful or taken in bad light. Color distractions are of no consequence. Monochrome images are a reduction to the statement on lines, geometric shapes and structures.

Sometimes sepia tones as well do a picture. Please take your time on an experiment! A really good picture looks in Black and White!

Here is a picture that has emerged on the B5 for Lauenburg / Elbe. The monochrome color variant

and the sepia-tinted:

The camera seems to many photographers as stuck in landscape mode (landscape mode is the classic depiction of landscapes and brings the length to advantage). We give but a lot of options: high-format motifs such as flowers or a single rocket is better represented in the portrait. Tall, narrow and elongated images of living of circumcision and the reduction to the essentials. The portrait is dynamic and underscores the upward urge, but can also act gracefully.
However, oblique images are possible to capture the dynamics of the moment.
In general, the larger the image is mapped, the better the effect. The image is too small, the effect goes down. The format can be adapted to the particular subject and compress an image of Sun

Of course, in retrospect, can be realized even in unusual formats, such as the ISO format (with an aspect ratio of 1:1). In such a square image often lacks the power, it seems more quiet, unobtrusive and well-proportioned, and is therefore especially suitable for images with such properties. If we are planning something, you have to think square, keep tight floor plan and take into account circumcisions.

I was threatened at times , this subject: Why are limitations attractive?

I've got an idea for years of freedom that has to do with limitations of a general nature. In some form it determines my work in the vocational school.

Boundaries are the beginning of freedom.

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Bird instead Frog - Pictures from above

Photos like a model railway: from top to open up new perspectives. Now it's easier to become a frog as a bird, but when we sit on the plane to provide photos of almost. Otherwise, the works of bridges, mountains, tall buildings, etc. downstairs. It should clarify a detail, from where the image has been created: bridge piers, house fronts, or a wing. In the mountains to offer cabins, rocks or trees nearby.

The depth of the space

Where the main subject is ultimately, does not really matter as long as the viewer is led. Yes, it can even stand in the background. Especially with a wide angle lens you can not do all sorts: the viewer is drawn into the picture when narrowing Kafkaesque house fronts to the rear or street schienbar in the background dissolves because the roadsides strive toward a distant point. As for motives, which are the same size that works with the spatial depth makes a good start: A line of parked cars, for example, which are diagonally positioned behind each other in the image, produces a sensation of depth, because they seem to be getting smaller.

More distant objects are seen less and thus less detailed. This effect gives an image depth.

Why did the frog's perspective it means exactly, not wood mouse perspective, is beyond my knowledge. Many animals would be offered as well named, and the amphibian has stopped the race.

When the worm's eye view is the subject taken from the bottom and has a lot more powerful and bigger, especially when shooting with a small focal length (wide angle) and from a distance. The wow factor in the observer is greater, the smaller the motive really is. But also for animals and children photography, offers this unusual perspective.

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In this Artikell, the new homes has been given, it is about perspectives, the same change, and how different the reality from time to time may point to pictures.

This new home